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This volume presents a history of the ways in which human beings have shaped the landscape at cult sites, in cities and on great private estates, from prehistoric times to the present, throughout the world. The book considers what the evolution of the design of the landscape reveals about the development of society and culture, examining famous cities, palaces and parks, as well as lesser-known designed landscapes, and even sites now vanished from around the world. Illustrated with hundreds of phtographs, drawings and plans, the book leads the reader through ancient cities, palatial gardens and magnificent sanctuaries. Also covered are: the royal cemeteries of ancient Egypt; the superb temples of ancient Greece and Rome; the magnificent gardens of Renaissance and Baroque Europe and the Far East; the great public parks of the late 19th century; and some of the most exciting avant-garde gardens and earth works of the present day.
- Sales Rank: #115092 in Books
- Published on: 2001-11-01
- Original language: English
- Number of items: 1
- Dimensions: 11.75" h x 1.50" w x 9.00" l, 5.35 pounds
- Binding: Hardcover
- 544 pages
From Publishers Weekly
Elizabeth Barlow Rogers, former administrator of New York City's Central Park (The Forests and Wetlands of New York City), begins Landscape Design: A Cultural and Architectural History with stone circles and ziggurats, and traces design's evolution through to today's suburbs and theme parks. An encyclopedic account of man-made landscapes around the world illustrated with a stunning 633 photos and drawings, more than half in color, the book reveals a 1720 English turf ampitheater, the "Tea, Moss and Stones" (as one chapter is titled) of Japanese gardens, the grand genius of Versailles designer Andr‚ Le N“tre, as well as today's "Earthworks, Golf Courses, Philosophical Models, and Poetic Metaphors." It's an accessible and elegant respite.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Perhaps best known as the founding director of New York's Central Park Conservancy, which oversaw and funded the park's revitalization, Rogers (The Forests and Wetlands of New York City) here presents a comprehensive survey of landscape design. Viewing her subject as the art that modifies and shapes nature, she explores the cultural values that shape, or are embodied in, cities, parks, and gardens. Embracing all cultures and ranging from prehistoric times to the present, this book covers the broadest range of subjects implied by the title, including city planning, landscape architecture, conservation, earthworks, and other uses of land in contemporary art. While this history is international in scope, it does narrow its primary focus to the United States when it reaches the late 20th century. The photographs and especially the plans are excellent and numerous. Single pages or double-page spreads devoted to specific topics add an encyclopedic element while allowing Rogers to provide even more information, illustrations, and plans without interrupting the flow of her very readable text. Accessible to lay readers but of interest to scholars, this book could serve as the text for a comprehensive course on the history of landscape design. Highly recommended. Daniel Starr, Metropolitan Museum of Art Lib., New York
Copyright 2002 Cahners Business Information, Inc.
From The New Yorker
This sumptuously illustrated book expands the definition of landscaping from the usual suspects—Versailles, Tivoli, and Central Park—to include, on the one hand, Stonehenge and the Pyramids and, on the other, Disneyland. The result is a comprehensive history of human interaction with the land. Barlow Rogers, a landscape planner, considers that the main shift has been from a sacral idea of place to a conception of "value-neutral" space governed by mathematical principles of perspective. So, while ancient sites reflected pagan cosmologies and animistic beliefs, in Renaissance landscapes the experience of the individual viewer became central. When Petrarch, a keen gardener, explained why he had tried to climb Mont Ventoux, his words were quintessentially those of a Renaissance man: "My only motive was to see what so great an elevation had to offer."
Copyright � 2005 The New Yorker
Most helpful customer reviews
6 of 11 people found the following review helpful.
Perfect History book for a visual learner
By Ben Pershouse
This is a great book. It is very readable, and even if you are not particularly interested in landscape design/architectural history, Elizabeth Barlow Rogers will inspire you. This book follows landscape and cultural architecture through history and makes me wonder why all schools - from elementary on up - don't attack history lessons from such a practical and fascinating point of view.
Also, compared with other landscape Arch books this is much less narrow and really weaves in many many threads of cultural and historical interest.
2 of 4 people found the following review helpful.
In depth, excellent resource
By Tammy Parker
This book is long and overly verbose, but an excellent resource. As a text in a landscape architecture history class it was a strong foundation.
21 of 27 people found the following review helpful.
Landscape Design: A Cultural And Architectural History
By Michael Webb
From Nineveh to a mobile home in Pecos, NM, Rogers casts a wide net, exploring the evolution of formal landscaping in parallel to humans� urge to put their mark on the earth. A scholar, who administered New York�s Central Park for two decades, she provides a compelling account of the cultural roots that underly the plantings, explaining the ideas inherent in unfamiliar and classic gardens. Every page contains sharp insights�for example, her suggestion that the broken column that the Baron de Monville built as his house at the Desert de Retz outside Paris in the 1780s portended the revolution that would sweep away the civilization he cherished. The abundance of plans and illustrations do ample justice to the text. (Michael Webb is the book reviewer for LA Architect magazine.)
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